Batuhan Demir, a designer based in the Netherlands, collaborated with Peruffo Jewelry to create two anthropomorphic silicone sculptures showcased at Vicenzaoro. The works, characterized by a duality between human realism and otherworldly forms, challenge traditional perceptions of shape and material. Through these creations, Batuhan explores the relationship between the body, ornament, and identity, offering a fresh and provocative perspective on jewelry as a form of personal expression. We spoke with him to delve deeper into his vision and the meaning behind this collaboration.
How do you think you can fully express yourself?
I fully express myself through my creative work, especially by delving into complex, personal themes that are often too intricate to discuss openly. My projects provide clarity and allow me to translate experiences into something tangible. Each piece reflects parts of my story and the emotions tied to them.
What would it be if you had to choose a symbol to represent yourself?
A symbol I resonate with is hope and the evil eye, a meaningful emblem in Turkish culture that protects against jealousy and negativity. I always wear a necklace with a small evil eye, as it reminds me of the importance of persistence and staying connected to a brighter future, no matter how challenging the present may be.
If you could subvert the rules, which law would you overturn?
I would overturn societal expectations that enforce rigid roles and stereotypes, especially those that limit personal expression. Breaking these “laws” would allow individuals to explore and define their own identities without fear of judgment or restriction.
What is the material to you?
Material is more than just a medium—it’s a vessel for storytelling. Each texture, fabric, or object I use holds emotional weight, helping to translate abstract ideas into physical, tangible forms that speak directly to the viewer.
Could you tell us about your most successful project and your design style?
My most successful project would likely be my graduation collection, where I explored my mother’s resilience and duality within her work environment at a casino. It was deeply personal and layered, showcasing her strength and persistence while acknowledging the darker aspects of her life. My design style is rooted in emotional storytelling, often blending powerful silhouettes with symbolic details to create thought-provoking, visually striking work. Beyond that, I’ve also designed looks for magazine covers, which was one of my first dreams as an aspiring designer. Seeing that dream come true was a surreal and fulfilling moment.
What do you think about collaborations? Is there someone you would like to collaborate with?
I love collaborations because they broaden your perspective as an artist and introduce you to new ways of working. They create opportunities to merge different mediums, often leading to unexpected and innovative results. It’s an inspiring and rewarding process that pushes creativity to new heights. I would love to collaborate with artists or designers who value storytelling.
Describe to me – in detail – the project you did for Peruffo Jewelry.
The project I did for Peruffo Jewelry came about when Marta reached out to me through a mutual contact who recommended me as the next maker to collaborate with the brand. My work often revolves around the body and its relationship to design, making this collaboration a natural fit. For this project, I created two silicone body sculptures that represent polar opposites. One has a human-like resemblance, grounded in realism, while the other takes on an alienated, otherworldly quality. This stark contrast highlights the duality of human identity, exploring themes of familiarity versus the unknown. The pieces challenge traditional perceptions of form and material, while also reflecting the dynamic relationship between the body and adornment.
How was it collaborating with a jewelry brand? Have you ever done that before?
This was actually my first collaboration with a jewelry brand. I really enjoyed working with Peruffo, as the brand’s vision is clear and well-defined, which made the collaboration smooth and well-aligned with my own creative approach.
Could you tell us about a contemporary artist and a designer you find important and why?
Contemporary artist: Takashi Murakami. He brilliantly merges low and high culture in his work, making complex art accessible while retaining depth and commentary on society. His use of vibrant, playful visuals combined with underlying darker themes creates a unique dialogue between commercialism and artistry. Designers: Alexander McQueen, Thierry Mugler, and John Galliano. Each of these designers has significantly influenced the fashion world through their theatricality, bold concepts, and ability to push boundaries. McQueen’s raw emotion and dark romanticism, Mugler’s sculptural approach to the female form, and Galliano’s whimsical storytelling in his collections all resonate deeply with my own values of blending fashion with powerful narratives.
A short-term project and a long-term one you would like to realise.
Currently, I am working on my debut collection, where I am collaborating with different artists. This collection will be showcased in a short film published by a renowned magazine. In a way, this project serves as both my short-term and long-term goal, as it marks the beginning of a new phase in my career while also laying the foundation for future collaborations and opportunities.
Artwork: Batuhan Demir-Ray @batuhandemir__
Creative direction: Marta Martino @martamartino_off
Interview by: Federica Tattoli @federicatattoli
